Joan stopped and turned. “Did he send you?” she asked. “It is breakfast time,” he explained, as they emerged into the air. “We leave each other alone for half an hour—even the snipers. But we must be careful.” She followed in his footsteps, stooping so low that her hands could have touched the ground. They had to be sure that they did not step off the narrow track marked with white stones, lest they should be drowned in the mud. They passed the head of a dead horse. It looked as if it had been cut off and laid there; the body was below it in the mud.!

A land where man died, and vermin increased and multiplied. Vermin on your body, vermin in your head, vermin in your food, vermin waiting for you in your bed; vermin the only thing that throve, the only thing that looked at you with bright eyes; vermin the only thing to which the joy of life had still been left. “Don’t make me feel I’ve interfered with your work only to spoil it,” said Joan.

Beauty. That was the key to the riddle. All Nature: its golden sunsets and its silvery dawns; the glory of piled-up clouds, the mystery of moonlit glades; its rivers winding through the meadows; the calling of its restless seas; the tender witchery of Spring; the blazonry of autumn woods; its purple moors and the wonder of its silent mountains; its cobwebs glittering with a thousand jewels; the pageantry of starry nights. Form, colour, music! The feathered choristers of bush and brake raising their matin and their evensong, the whispering of the leaves, the singing of the waters, the voices of the winds. Beauty and grace in every living thing, but man. The leaping of the hares, the grouping of cattle, the flight of swallows, the dainty loveliness of insects’ wings, the glossy skin of horses rising and falling to the play of mighty muscles. Was it not seeking to make plain to us that God’s language was beauty. Man must learn beauty that he may understand God. And yet every now and then he would be arresting. In his prime, Joan felt, he must have been a great preacher. Even now, decrepit and wheezy, he was capable of flashes of magnetism, of eloquence. The passage where he pictured the Garden of Gethsemane. The fair Jerusalem, only hidden from us by the shadows. So easy to return to. Its soft lights shining through the trees, beckoning to us; its mingled voices stealing to us through the silence, whispering to us of its well-remembered ways, its pleasant places, its open doorways, friends and loved ones waiting for us. And above, the rock-strewn Calvary: and crowning its summit, clear against the starlit sky, the cold, dark cross. “Not perhaps to us the bleeding hands and feet, but to all the bitter tears. Our Calvary may be a very little hill compared with the mountains where Prometheus suffered, but to us it is steep and lonely.” “I can’t,” he answered. “I’m too great a coward.”